Herman Carlson was born in Åsaka, Sweden on |
September 25, 1864. After a completed woodwork |
education he was apprenticed to a cabinet maker |
in Göteborg. During that time he also attended |
evening classes at the local woodwork association |
where he after 2 ½ years of hard work excelled |
in his examination to become a journeyman. |
At that time it was customary to take on a new |
surname after a completed journeyman education, |
and Herman choose Levin to be added to his name. |
In 1887, Herman Carlson Levin travelled to the |
U.S.A. where he soon found work as a polisher at |
a guitar factory in New York City. This is where |
he gradually learned about guitar making and in |
1891 he was ready to open his own business. |
In Circa 1895 he joined Robert H. Benary to form the |
Metropolis Musical Instrument Co. to manufacture |
and distribute mid-priced banjos, guitars and |
mandolins. In 1897 he filed for a patent for his |
combined guitar and mandolin. |
In 1900 he returned to Sweden, and on July 27 |
that year, he opened the Herman Carlson Levin |
Musikinstrumentfabrik (Herman Carlson Levin |
Musical Instrument Factory) on Norra Larmgatan 4, |
in Göteborg. In the humble beginning the factory |
consisted of two men in a 70 square meters space. |
In the first year, 90 instruments were completed, |
but business grew and at the end of 1903, the |
work force had grown to five men completing |
1,648 instruments. |
The first official recognition came early. By 1903 |
the company had been rewarded no less than five |
silver medals (highest award) at various exhibitions |
held in Sweden. The success grew with a gold medal |
at the exhibition in London in 1905, and the climax |
came in Madrid in 1907, where the company was |
rewarded not only the gold medal, but also the |
Grand Prix. |
By 1908 more than 10,000 instruments had left |
the factory, and ten years later, more than 40,000 |
instruments was completed, and the work force |
had grown to 30 men working out of a factory of |
600 square meters. However, on October 11, 1918 |
a fire broke loose in the factory and during the |
following years the work force had to be cut down |
to 5-10 men. |
|
In 1925 Levin added banjos to its line and the |
production started to grow rapidly. In 1929 they |
also added orchestra guitars and by 1936 more |
than 100,000 instruments had left the factory. |
Just before the outbreak of World War II the work |
force consisted of 45 men and the factory floor |
space had grown to more than 1,000 square |
meters. The war years brought a shortage of |
foreign woods such as ebony, rosewood and |
walnut, and furthermore, periodically half the |
work force was drafted to military service. |
At the same time, there was a large demand for |
instruments, and since the old factory building |
already had been expanded to its limits, a new |
factory of 1,800 square meters floor space was |
set up in the former space of Rörstrands |
Porslinsfabrik (Rörstrands Porcelain Factory) on |
Kvillegatan 9, in Göteborg. The move took place |
in the summer of 1943 and the work force was |
expanded to 70 men. Drums were added in that |
year, and in 1948 instrument number 200,000 |
was completed. |
In 1965, with more than 450,000 instruments |
made, and 70% of its production being exported, |
Levin received an order for 13,000 Goya guitars |
and rented space in Lessebo to open a second |
factory. In 1967 another order, this time for |
120,000 Goya guitars (1,000 each month for |
ten years) was received. However, disaster |
struck in 1968 when the order was cancelled |
and Levin was forced to close the Lessebo |
factory and let half of its work force go. |
Svensk Musik AB purchased the Levin brand |
name and part of the remaining stock from |
C. F. Martin & Co. in 1982. The production |
was restarted in early 1983 with the first |
two models being the LG 8 and LG 17, both |
assembled with bodies made by the Hans |
Persson guitar factory in Lugnås, Sweden |
and necks supplied by Landola in Finland. |
|
In addition to those, the model L 44 was |
imported from Czechoslovakia. In 1988 |
three more models were added to the line |
of Swedish made guitars, the Classic 8, |
Classic 10 and Classic 12, and the whole |
production was moved to the Hans Persson |
guitar factory in Lugnås. |